Week 2 Reading, Critical Theory Seminar (2)

The Conditions of the Question: What Is Philosophy? Gilles Deleuze

18/09/20 3:40 PM start time

Deleuze, Gilles The Conditions of the Question: What Is Philosophy? In Critical Inquiry; Spring 1991; 17, 3; pg. 471-478

PRE-READ (SCAN)

When does a person ask about philosophy? Question requires trust, vulnerability, between friends. Like us, concepts need friends, and for evolution of philosophy, their friend must be diverse. A philosopher must be a friend to his creations (concepts). “The question of philosophy is […] the single point where the concept and creation are linked together.” The concept is not a representation, or knowledge, but a reality. It is self-positing. Encyclopedia, pedagogy, commercialization, the third age is a disaster of thought regardless of social benefits. (83 words, paraphase).

QUESTIONS

Aiming for a quick(er) read using reading strategies. Check end notes, first+last para, topic sentences, getting gist of it. On second read I want to take notes on the things I am interested in and have questions about, with only the quotes that grip me, the details that jump for me (paraphase), and jots of my own thoughts/questions. (30 mins).

After scan, I am interested in concepts being described as friends and the relationship of community supports impacts this thinking. I am also interested the way philosophy posits itself in relation to other disciplines, especially as a very old discipline in comparison to very new (and insecure) ones like creative research. The ideas I am reading about today are exciting and tap into things I feel like I understand on an intuitive level, I am interested in how these ideas are made accessible, how they are taken out of academia and used in “low-brow” creations.

READING NOTES

  • (Published 1991) Deleuze – prof of philosophy, University of Paris, Capitalism and Schizophrenia / Anti-Oedipus 1983 + A Thousand Plateaus 1987, Cinema / The Movement-Image 1986 + The Time-Image 1989, The Logic of Sense 1990, Expressionism in Spinoza 1990.
  • transitions from friend to enemy, trust to mistrust
  • friend = intimacy, or = potentiality?
  • “infinite sharing and patience” (Blanchot, L’Amitie 1971)
  • “art brings spiritual entities into existance”
  • “….must begin by fabricating and creating [concepts], positing them and making them convincing to those who have recourse to them.” (nietzche).
  • “[philosophy] is neither contemplation, nor reflection, nor communication,” these are tools that are universal in all disciplines.
  • philosophy has a desire to dominate disciplines
  • Aristotle’s substance, Descartes’ cogito, Leibniz’s monad, Kant’s condition, Schelling’s potency, Bergon’s duree
  • philosophy is enduring—sociology, epistemology, linguistics, psychoanalysis, logical analysis, computer science, advertising, marketing—try to use “concept” but faith and trust philosophy endures in creating concepts
  • hegel – concept – figures of creation, moments of self-positing, not related to general or abstract, stretch philosophy into other disciplines because it took on common tools.
  • post kant- encyclopedia, subjectivity – pedagogy, analyse conditions

INTERESTING CITATIONS AND DEFINITIONS

Maurice Blanchot

POST-READ

Talking about a philosopher’s relationship with concepts as friends (either in intimacy or honouring potentialisty) didn’t really include a kind of jovial friendship type relationship but more of a responsibility. When talking about friends on a greater scale, involving others, I don’t know if I got friends of friends as much as rivals, a combating of ownership rather than appreciation of concept from different angles. I guess that there are concepts that go round the world and interact with everybody and are free to, and the philosopher does not feel jealously in this because the philosopher has trust and faith that the relationship that is had (friend/creator) is unshaken although not untested. I guess it’s such a difficult thing to look deeply at ones self (as a discipline) that it comes off as cagey. Compare this to a younger creative research discipline actively bringing in ideas from other disciplines (musemology in artefacts) to give shape to itself. Although I guess much of this writing about disciplines is a defense.

18/09/20 4:46 PM end time

Affect Theory Conference: Worldings, Tensions, Futures // Massumi

Interview with Massumi

  • writing process starts when research becomes overwhelming
  • writing is used to hold onto complexity without expressing it, writing from another perspective (ie another person writing in response) teases out some of the complexity
  • writing in long periods, remember to eat and walk
  • essay works with “conceptual impossibility,” to bring positivity to difficult texts. outline based on subsection titles, use outline to imagie connections. outlines become unreadable, “invocation of ideas.” writing often does not feel like his own, it is unrecognizable. this is a positive surprise.
  • best writers use rhythm of words + meaning, allow idiosyncrasies w/ economy of expression and not quirks, academics that see themselves as essayists.
  • desire to make reading enjoyable, recall rhythm of speech by variation of length of sentences/use of words with different roots/use of technical and every day words, variation of tone from serious to silly. not composed for speech.
  • writing is successful when it enables reader to see things in the world that would otherwise be unremarkable. new thoughts as gifts and invitations, not obligations.
  • cultural studies “sets out to encounter differences,”… “has to grapple with vacillation between the shareable and unsharable, the understandable and unimaginable”
  • advice: instead of writing personally, it is most interesting when something compelling in the world can express itself through you.
  • thinks of original writing as a kind of translation process. (background as translator).
  • affect is before emotion, feeling, perception. participation is before affect.
  • his writing does not clarify but it accumulates and complexifies. is the synaesthesia-effect(sentences have shape, motion, linkage/leakage, directonality) of reading his writing intentional? …thinks/feeling of writing as kinesthetic, conceptual directions that when brought together and taken apart will carry memory / change of having come together. enjoys point in essays when ideas fall into each other in dense mass of renewing even when feeling exhausted. pushing past this difficult point is energizing, though may not be for reader (though hopefully for some).

Massumi, Brian. Writing Space: Interviews. Affect Theory: Worldings/Tensions/Futures Conference Website. 2002/2015 http://wtfaffect.com/brian-massumi/

Further Reading/Watching (From the Conference):

Lisa Blackman and Heather Love, “Queer Science and the Ethics of Description,” Affect Theory Conference: Worldings, Tensions, Futures (plenary session 1), on Thursday, October 15, 2015 from 10:30 to 12:00pm at the Ware Center, Lancaster, Pennsylvania.

Lauren Berlant and Kathleen Stewart, “The Hundreds,” Affect Theory Conference: Worldings, Tensions, Futures (plenary session 3), on Friday, October 16, 2015 from 3:20 to 4:50pm at the Ware Center, Lancaster, Pennsylvania.

Steven Shaviro, Brian Massumi, Erin Manning, “Affecting Others Otherwise,” Affect Theory Conference: Worldings, Tensions, Futures (plenary session 7), on Saturday, October 17, 2015 from 8:45 to 11:00pm at the Ware Center, Lancaster, Pennsylvania.

Never have plasmodial slime molds been so entertaining or so controversial. Steven Shaviro offered a humorous and provocative venture into speculative realism. He challenged the dogmas of analytical philosophy by extending the question of mind and mentality, proposing a shift from consciousness to sentience. Responsive to their environment, able to make choices, appearing to have emotional tones observable by the rhythmic pulsing of their cytoplasm plasmodial slime molds, Shaviro claims, offer evidence of cognition without brains. Shaviro suggests therefore that sentience rather than human consciousness should be the guiding principle of posthuman analysis.

https://www.youtube.com/watch?v=3x0lNP9TKuM (40:15 mins)

Erin Manning focused on her work with emerging authors, thinkers, and scholars who are also autistic, for example Lucy Blackman In her work Blackman describes a sense of “carrying the feeling,” in which the felt experience has an emergent relation which incorporates the environment. Manning suggests, that this non-normative experience of relationality might offer insights into how the lines and limits of subjectivity are defined. The boundaries of experience, what the human is, and can be, is often constructed by neurotypically inflected limits, creating a “neurotypical myth.” Thus a politics of neurotypicality emerges. Autistic scholars and artists suggest a feeling of multiplicity that is not so fixed, a “hyper-relationality,” claims Manning, which offers a widening of the field of experience and therefore of the scope of the human.

https://www.youtube.com/watch?time_continue=1&v=l2iElXKgeF8&feature=emb_logo (39:13 mins) // Erin Manning Interview: http://wtfaffect.com/erin-manning-interview/

The “datafication of the 21st century” makes us porous and multiple, and therefore what, asks Patricia Cloughhas become of the human subject and psychoanalysis? Datafication leads to “a displacement of consciousness as a hub of experiencing meaning,” reconfiguring sensory fields to create a “society of microsensibilities.” Clough claims, since our modern psyche comes into being in a nonhuman environment it creates a “thingself,” meaning we must consider a “nonhuman unconscious of dissociated selves.” Indeed, Clough claims, the sociopolitical trauma of this time creates a new type of wound which requires us to rethink the death drive in the light of this quintessential 21st century relational form. For Clough this is no longer the human or the conscious self, but rather relations of media – the “it:it” relationship.

https://www.youtube.com/watch?v=ZH9S2Cw59OM&feature=emb_logo (40:15 mins) // Steven Shivario Interview: http://wtfaffect.com/steven-shaviro/
Artists and Affect Theorists working together:

Kay Gordon “Neurons / Deterritorializing” + Tony Sampson “The Assemblage Brain: Sense Making in Neuroculture” https://www.youtube.com/watch?time_continue=19&v=u7lOQ-AFXvA&feature=emb_logo (4:30 mins)

Visual essay, interesting art + experience w/ blurring.
Further Reading:

Capacious: The Journal for Emerging Affect Inquiry

Body & SocietyCultural StudiesCritical InquirySubjectivities

Massumi, the Bleed